As 2015 draws to a close, Mikhail Shishkin's Calligraphy Lesson: The Collected Stories (Deep Vellum), has been getting some lovely attention.
Marian Schwartz and others have translated these works, which are "the perfect introduction to Russia's greatest ... contemporary author." The 1993 short story "Calligraphy Lesson" was Shishkin's first published work. Like the narrator in Maidenhair, legal scribe and calligraphy teacher Evgeny hears harrowing stories every day and transmutes them into art. The most recent piece in the book, "Nabokov's Inkblot" written in 2013, is an accessible tale of money, culture and compromise. Along with stories, in Shishkin's characteristically dense and allusive prose, there are autobiographical fragments, like "The Half-Belt Overcoat", which revisits his mother's death and the process of writing The Taking of Izmail, due out in English next year. The volume ends with the breathtakingly brilliant essay on language, "In a Boat Scratched on a Wall", where the author argues for the redemptive power of literature, "a link between two worlds."