Kyle Semmel of the Writer’s Center in Bethesda, Maryland, has given my translation of Olga Slavnikova’s 2017—just out from Overlook Press—a very nice review indeed:
It’s hard not to think of twentieth-century Russian history as you crack open 2017, Olga Slavnikova’s Russian Booker Prize winning novel. The year 2017 will mark, of course, the 100th anniversary of the Russian Revolution, which culminated in the collapse of the Czarist autocracy and gave rise to the Soviet Union. It’s against this backdrop that readers enter this novel: a pot brimming with precious stones, a dash of spy novel intrigue, and a raw-to-the-bone social critique bubbling and boiling in a dense, evocative stew.
Excuse the metaphor. This is not a novel of food—far from it. But 2017 is a novel that asks you to savor it slowly, bite by bite. Translator Marian Schwartz, one of the most accomplished Russian translators working today—who has translated the works of Nina Berberova, Edvard Radzinsky, and Mikhail Bulgakov, among others—has recreated Slavnikova’s dense novel in a smooth, eminently enjoyable English text. Passages describing the craft of obscure trades like gemcutting or rock-hounding flow from sentence to sentence with ease, making the translation seem effortless.
To read the rest, go straight to Three Percent, the blog for international literature out of the University of Rochester, or click here.
The graphics used on this site were inspired by the work of Liubov Popova (1889-1924), a Russian artist and designer influenced by Constructivism and Futurism, as seen in her biography, by D.V. Sarabianov and N.L. Adaskina, Liubov Popova, translated by Marian Schwartz and published by Harry N. Abrams in 1990.