Articles Tagged ‘Russian literature’

"A Quintessential Russian Novel"

Into the Thickening Fog cover

Phoebe Taplin has written a wonderful review in Russia Beyond the Headlines of Andrei Gelasimov's newest title, Into the Thickening Fog:

Into the Thickening Fog often feels like a quintessential Russian novel: it starts with a bout of heavy drinking, is set in a frozen northern city, and features dogs, demons and existential angst. Andrei Gelasimov’s novels have earned him numerous awards, and this 2015 offering, just out in English, has many hallmarks of his prize-winning playful style.

And she has kind words for my translation as well:

This is the fifth Gelasimov novel that Marian Schwartz has translated, and she is a past master at capturing his allusive, elusive style. Here, his free-range references flap from classical (Circe, Charybdis), biblical (friendship three times denied) and Shakespearean (leaping, like Hamlet, into his dead wife’s grave or quoting Macbeth’s sound and fury) to pop cultural (his noisy breathing like a “raspy, unintelligible, and infinitely lonely Darth Vader”, hair standing up like Doc Brown’s in Back to the Future).

 

Read the whole review here.

Anna Karenina Short-Listed for 2015 Read Russia Prize

Anna Karenina coverI've just learned that my translation of Leo Tolstoy's Anna Karenina has been short-listed for the 2015 Read Russia Prize!

I'm in stellar company: Oliver Ready, Jamie Rann, Rosamund Bartlett, Katherine Dovlatov, and Peter Daniels, and so is Tolstoy, the other authors represented being Fyodor Dostoevsky, Vladislav Khodasevich, Vladimir Sharov, Sergei Dovlatov, and Anna Starobinets.

The prize will be awarded on Friday, May 29, at the Grolier Club in New York City.

Great Russian literature 'probes the ultimate questions of human life'


Gary Saul Morson, a professor of Slavic literature at Northwestern University, wrote the brilliant introduction to my translation of Anna Karenina and was the featured speaker at the Read Russia awards ceremony this year, where he explained: "Because Everyone Needs a Little Russian Literature." Morson, one of the foremost authorities on Russian literature in the United States, was interviewed by Russia Beyond the Headlines about his love for Tolstoy, the ongoing popularity of the Russian classics and what, if anything, politicans can gain from studying literature.

Shishkin Collection Attracts Year-End Attention

calligraphylessoncoverAs 2015 draws to a close, Mikhail Shishkin's Calligraphy Lesson: The Collected Stories (Deep Vellum), has been getting some lovely attention.  

World Literature Today has put it on its list of 75 Notable Translations of 2015, and Russia Beyond the Headlines has added it to its "Christmas Feast of Russian Books." Phoebe Taplin writes:

Marian Schwartz and others have translated these works, which are "the perfect introduction to Russia's greatest... contemporary author." The 1993 short story "Calligraphy Lesson" was Shishkin's first published work. Like the narrator in Maidenhair, legal scribe and calligraphy teacher Evgeny hears harrowing stories every day and transmutes them into art. The most recent piece in the book, "Nabokov's Inkblot" written in 2013, is an accessible tale of money, culture and compromise. Along with stories, in Shishkin's characteristically dense and allusive prose, there are autobiographical fragments, like "The Half-Belt Overcoat", which revisits his mother's death and the process of writing The Taking of Izmail, due out in English next year. The volume ends with the breathtakingly brilliant essay on language, "In a Boat Scratched on a Wall", where the author argues for the redemptive power of literature, "a link between two worlds."

 

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