Books — Marian Schwartz

Day after day the Russian asylum-seekers sit across from the interpreter and Peter—the Swiss officers who guard the gates to paradise—and tell of the atrocities they’ve suffered, or that they’ve invented, or heard from someone else. These stories of escape, war, and violence intermingle with the interpreter’s own reading: a history of an ancient Persian war; letters sent to his son “Nebuchadnezzasaurus,” ruler of a distant, imaginary childhood empire; and the diaries of a Russian singer who lived through Russia’s wars and revolutions in the early part of the twentieth century, and eventually saw the Soviet Union’s dissolution.

The Leningrad Blockade, 1941-1944, by Richard Bidlack and Nikita Lomagin

Based largely on formerly top-secret Soviet archival documents (including 66 reproduced documents and 70 illustrations), this book portrays the inner workings of the communist party and secret police during Germany's horrific 1941–44 siege of Leningrad, during which close to one million citizens perished. It shows how the city's inhabitants responded to the extraordinary demands placed upon them, encompassing both the activities of the political, security, and military elite as well as the actions and attitudes of ordinary Leningraders.

Black Square, by Aleksandra Shatskikh

Kazimir Malevich's painting "Black Square" is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of Malevich's contemporary revolutionaries created a manifesto, an emblem, as capacious and in its own way unique as this work; it became both the quintessence of the Russian avant-gardist's own art—which he called Suprematism—and a milestone on the highway of world art. Writing about this single painting, Aleksandra Shatskikh sheds new light on Malevich, the Suprematist movement, and the Russian avant-garde.

Thirst, by Andrei Gelasimov

A French theater agrees to stage the latest work by Filippov--the mmost prestigious and lucrative opportunity of his infamous career--but first he must sever ties with his longtime collaborator and childhood friend. So the internationally acclaimed Russian director makes a reluctant trip back to his hometown to deliver the news. His journey to the Far North, where the temperature remains dangerously low all winter, unexpectedly blurs the distinction between reality and art for this virtuoso, who prides himself on his ability to create shocking scenes and outrageous situations. And after the city's power grid goes off-line, the brutal cold just might get the better of him.

12 Who Don't Agree, by Valery Panyushkin

In Twelve Who Don’t Agree, journalist Valery Panyushkin profiles twelve Russians from across the country’s social spectrum: a politician, a journalist, an army officer, an author, a bank manager, a laborer, a university student . . . Despite varied backgrounds, they all have one thing in common—participation in the historic March of the Dissidents.

2017, by Olga Slavnikova

2017 is part literary romance, part political thriller, and a stunning tale of adventure, fantasy and obsession. Set in the near future, on the 100th anniversary of the Revolution, 2017 reveals a Russia devoid of art and innovation, but full of danger, scandal, and wildly intriguing characters. With its harsh climate, social and ecological problems, its impoverished underclass and criminal upper class, the mythical Riphean Mountains become the perfect setting for this stunningly crafted Russian favorite.

Oblomov, by Ivan Goncharov

Set at the beginning of the nineteenth century, when idleness was still looked upon by Russia’s serf-owning rural gentry as a plausible and worthy goal, Ivan Goncharov’s Oblomov follows the travails of an unlikely hero, a young aristocrat incapable of making a decision. Indolent, inattentive, incurious, given to daydreaming and procrastination, Oblomov clearly predates the ideal of the industrious modern man, yet he is impossible not to admire through Goncharov’s masterful prose.

White Guard, by Mikhail Bulgakov

White Guard, Mikhail Bulgakov's semi-autobiographical first novel, is the story of the Turbin family in Kiev in 1918. Alexei, Elena, and Nikolka Turbin have just lost their mother—their father had died years before—and find themselves plunged into the chaotic civil war that erupted in the Ukraine in the wake of the Russian Revolution. In the context of this family's personal loss and the social turmoil surrounding them, Bulgakov creates a brilliant picture of the existential crises brought about by the revolution and the loss of social, moral, and political certainties. He confronts the reader with the bewildering cruelty that ripped Russian life apart at the beginning of the last century as well as with the extraordinary ways in which the Turbins preserved their humanity.

Katyn: A Crime Without Punishment, edited by Wojciech Materski, Anna M. Cienciala, and Natalia S. Lebedeva

The 14,500 Polish army officers, police, gendarmes, and civilians taken prisoner by the Red Army when it invaded eastern Poland in September 1939 were held in three special NKVD camps and executed at three different sites in spring 1940, of which the one in Katyn Forest is the most famous. Another 7,300 prisoners held in NKVD jails in Ukraine and Belarus were also shot at this time, although many others disappeared without trace. The murder of these Poles is among the most monstrous mass murders undertaken by any modern government.

Soviet Culture and Power, edited by Katerina Clark, Evgeny Dobrenko, Andrei Artizov, and Oleg V. Naumov

Leaders of the Soviet Union, Stalin chief among them, well understood the power of art, and their response was to attempt to control and direct it in every way possible. This book examines Soviet cultural politics from the Revolution to Stalin's death in 1953. Drawing on a wealth of newly released documents from the archives of the former Soviet Union, the book provides remarkable insight on relations between Gorky, Pasternak, Babel, Meyerhold, Shostakovich, Eisenstein, and many other intellectuals, and the Soviet leadership. Stalin's role in directing these relations, and his literary judgments and personal biases, will astonish many.

White on Black, by Ruben Gallego

This is an extraordinary personal testament, the story of one boy's triumph in the face of impossible obstacles. Born with cerebral palsy in Moscow, Ruben Gallego was hidden away in Soviet state institutions by his maternal grandfather, the secretary general of the Spanish Communist Party in the 1960s. His was a boyhood spent in orphanages, hospitals, and old-age homes, a life of emotional deprivation and loss of human dignity. And yet, there is no self-pity here, no bitterness, only an unfailing regard for the truth. Gallego's story is one of neglect and mistreatment but also of shared small pleasures, of courage, of the power of the human will, and of a child's growing fascination with books and the worlds he finds in them.

FictionMarian SchwartzOctober 18, 2006Ruben Gallego, Marian Schwartz, Harcourt, Prize winner, Soviet-era, Short stories

Moura, by Nina Berberova

Baroness Maria Ignatievna Zakrevskaya Benckendorff Budberg hailed from the Russian aristocracy and lived in the lap of luxury—until the Bolshevik Revolution forced her to live by her wits. Thereafter her existence was a story of connivance and stratagem, a succession of unlikely twists and turns. Intimately involved in the mysterious Lockhart affair, a conspiracy which almost brought down the fledgling Soviet state, mistress to Maxim Gorky and then to H.G. Wells, Moura was a woman of enormous energy, intelligence, and charm whose deepest passion was undoubtedly the mythologization of her own life.

The Russian Triptych: Collection of Stories and Novelettes, by Yevgeny Lubin

The Red Wheel is Solzhenitsyn’s magnum opus about the Russian Revolution. Solzhenitsyn tells this story in the form of a meticulously researched historical novel, supplemented by newspaper headlines of the day, fragments of street action, cinematic screenplay, and historical overview. The first two nodes— August 1914 and November 1916—focus on Russia’s crises and recovery, on revolutionary terrorism and its suppression, on the missed opportunity of Pyotr Stolypin’s reforms, and how the surge of patriotism in August 1914 soured as Russia bled in World War I. March 1917—the third node—tells the story of the Russian Revolution itself, during which not only does the Imperial government melt in the face of the mob, but the leaders of the opposition prove utterly incapable of controlling the course of events.

FictionMarian SchwartzOctober 21, 2004Marian Schwartz, Publication preview, Yevgeny Lubin, Russian fiction

A Hero of Our Time, by Mikhail Lermontov

Military life in the Caucasus, bandits, duels, romance--at the hands of a passionate adventurer with "a restless imagination, an insatiable heart. That is Pechorin, and also Lermontov. If you have a personal all-time bestseller list, make room for A Hero of our Time.

Envy, by Yuri Olesha

One of the delights of Russian literature, a tour de force that has been compared to the best of Nabokov and Bulgakov, Yuri Olesha's novella Envy brings together cutting social satire, slapstick humor, and a wild visionary streak. Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with mass-produced sausage. Nikolai is a loser. Finding him drunk in the gutter, Andrei gives him a bed for the night and a job as a gofer. Nikolai takes what he can, but that doesn't mean he's grateful. Griping, sulking, grovelingly abject, he despises everything Andrei believes in, even if he envies him his every breath.

The Book of Happiness, by Nina Berberova

"Schwartz, Berberova's longtime friend and translator, has written an affecting introduction to this volume, which she has translated with care and a suitable transparency. "The Ladies from St. Petersburg" is a very slight book, but it should add to readers' respect for Berberova and, as Schwartz puts it, for "the force of her art, her intellect and her will." -- Ken Kalfus, New York Times

Voices of Revolution, 1917, by Mark D. Steinberg

Although much has been written about the political history of the Russian revolution, the human story of what the revolution meant to ordinary people has rarely been told. This book gives voice to the experiences, thoughts, and feelings of the Russian people—workers, peasants, soldiers—as expressed in their own words during the vast political, social, and economic upheavals of 1917.

Billancourt Tales, by Nina Berberova

Thirteen newly discovered stories by the great Russian writer, translated into English for the first time. Now added to the quartet of books by Nina Berberova that New Directions has presented for the delight of American readers is this delectable baker's dozen—Billancourt Tales. These are thirteen stories (Berberova called them "Fiestas") chosen from those she wrote in Paris between 1928 and 1940 for the émigré newspaper The Latest News.

FictionMarian SchwartzOctober 18, 2001Nina Berberova, Publication preview, Publication feature

Gifts to the Tsars, ed. Barry Shifman

The Red Wheel is Solzhenitsyn’s magnum opus about the Russian Revolution. Solzhenitsyn tells this story in the form of a meticulously researched historical novel, supplemented by newspaper headlines of the day, fragments of street action, cinematic screenplay, and historical overview. The first two nodes— August 1914 and November 1916—focus on Russia’s crises and recovery, on revolutionary terrorism and its suppression, on the missed opportunity of Pyotr Stolypin’s reforms, and how the surge of patriotism in August 1914 soured as Russia bled in World War I. March 1917—the third node—tells the story of the Russian Revolution itself, during which not only does the Imperial government melt in the face of the mob, but the leaders of the opposition prove utterly incapable of controlling the course of events.

Fine Art, HistoryMarian SchwartzSeptember 21, 2001Marian Schwartz, Publication preview

Stroganoff: The Palace and Collections of a Russian Noble Family, ed. Penelope Hunter-Stiebel

The Red Wheel is Solzhenitsyn’s magnum opus about the Russian Revolution. Solzhenitsyn tells this story in the form of a meticulously researched historical novel, supplemented by newspaper headlines of the day, fragments of street action, cinematic screenplay, and historical overview. The first two nodes— August 1914 and November 1916—focus on Russia’s crises and recovery, on revolutionary terrorism and its suppression, on the missed opportunity of Pyotr Stolypin’s reforms, and how the surge of patriotism in August 1914 soured as Russia bled in World War I. March 1917—the third node—tells the story of the Russian Revolution itself, during which not only does the Imperial government melt in the face of the mob, but the leaders of the opposition prove utterly incapable of controlling the course of events.

Fine Art, HistoryMarian SchwartzOctober 21, 2000Marian Schwartz, Publication preview